(Source: phoenix-flying, via fuckcapitalism)
7 Creepy Places in the World for those of you who can’t/don’t ever sleep ;)
^ If you missed it last night (it was pretty late)
“We think an iPhone 4 case with a built-in battery that can add up to 36-hours of life to your iPhone is a great idea. Apparently we aren’t the only ones.” - Mophie Juice Pack Air at werd.com
Slow down Katniss by 25% and what do you get? Will Ferrell.
(Source: captaintightpants, via nodoubtem)
Anchorman 2 gets the green light
It’s the news we’ve been waiting to bring you for a good few years now, and finally it’s happening: Paramount has agreed terms with Will Ferrell and Adam McKay to give the green light to Anchorman 2!
"What you get in this Tumblr scene is imitators of imitators of imitators, each less skilled than the one before them"
The Tumblr Trap (via nevver)
(via nevver)
Ron Burgundy, San Diego’s favorite Anchorman, swings by CONAN to brush up on his flute and make a little announcement.
Super duper! NEAT-O!
(Source: youtube.com, via suicideblonde)
Cate Blanchett goes sans Photoshop for magazine cover
Intelligent Life — The Economist‘s lifestyle and culture magazine — went where few (but increasingly more!) publications have gone before: the unairbrushed cover.
Cate Blanchett fronts the latest issue of the bi-monthly, a cover choice explained by Intelligent Life editor Tim de Lisle on the magazine’s website:
When other magazines photograph actresses, they routinely end up running heavily Photoshopped images, with every last wrinkle expunged. Their skin is rendered so improbably smooth that, with the biggest stars, you wonder why the photographer didn’t just do a shoot with their waxwork.
Cate Blanchett, by contrast, appears on our cover in her working clothes, with the odd line on her face and faint bags under her eyes. She looks like what she is — a woman of 42, spending her days in an office, her evenings on stage and the rest of her time looking after three young children. We can’t be too self-righteous about it, because, like anyone else who puts her on a cover, we are benefiting from her beauty and distinction. But the shot is at least trying to reflect real life. It’s a curious sign of the times that this has become something to shout about.
But the cover doesn’t just make a statement about Photoshop, it also makes one about the sometimes dicey ethics of magazine photography. Tim de Lisle explained: “Publishers want a recognizable person on the cover, with a real career; but they also want an empty vessel — for clothes and jewelry and makeup, which often seem to be supplied by the advertisers with the most muscle.”
(via bohemea)
